ARTIST CV
pdf download, click here (updqted spring 2023)
SOLO EXHIBITIONS / GRANTS
2 0 2 2
Kunstraum Elsa, Haptic Habits: Die Dunkelkammer, solo exhibition in both Galleries, Bielefeld, Germany
Visionary Sightseeing Binoculars, public art commission, memorial to Green Street Bridge, Waverly IA
2 0 2 1
Museum für Photographie Braunschweig, True Pictures is part of a three museum survey of contemporary North American Photography. TRUE PICTURES? Survey of contemporary Canadian and US Photographers: Vom Dokument zum Konzept – positionen zeitgenössiger Fotografie aus der USA, curated by Barbara Hoffman-Johnson, exhibtiosn spread throughout 3 Museums, 54 works, (other artists at Sprengel Museum included Carrie Mae Weems, Cindy Sherman, Nan Goldin, Jeff Wall), (11.Sept – 5.Dec), Braunschweig, Germany
Hartman Gallery, Springfield Art Museum, 2020 Four x Four Biennale (date change due to covid pandemic), 1 of 4 biennale style solo exhibitions, 57 works, curated by Sarah Buhr, printed catalogue, Springfield, MO
Permanent Installation and acquistion, first female sculptor in collection, The Visionary Sightseeing Binoculars, sculpture garden, Springfield Art Museum, Springfield, MO
2 0 1 8
Wavepool Gallery, fotofocus Cincinnati, The Archive of Unmade Photographs Project, curated by Calcagno Cullen, with Mark Strandquist, Cincinnati, OH
2 0 1 5
Public Art Project/Interactive Sculpture: New York Foundation for the Arts Fiscal Sponsorship Program and New York Parks and Recreation Art Program; "The Public Utteraton Machines", large public art project installed in two locations: Long Island City and Brooklyn, NY, PhD project (different from VSB), USA
Public Art Project/Interactive Sculpture: "Thingstätte im Fernglas", curated by Katharina Bosse, as part of a long term series of public engagement with Thingstätte; Berlin, Herchen an der Sieg, Borna bei Liepzig, Germany
2 0 1 3
Webster Leiden Art Gallery, Webster University, Leiden, Netherlands
Farnham Gallery, Simpson College, Des Moines, IA
2 0 1 1
Public Art Project / Interactive Sculpture: LMCC, Urban Field Glass Project, site specific interactive public art project, Chinatown New York, NY
DOT Artpartners Grant, The Urban Field Glass Project, site specific interactive public art project, Brooklyn and New York, NY NB: Both projects above are fiscally sponsored by the New York Foundation for the Arts Fiscal Sponsorship Program
0 9 - 11
AAI Philadelphia, Visionary Sightseeing Binoculars, permanent site specific public art project, Philadelphia,
2 0 0 9
Waldemar A. Schmidt Gallery, “Adventures in Perception”, Iowa
2 0 0 4
Fish Tank Gallery, “Sight Unseem”, Dioramas and Stereoscopes with Jihyun Park, Brooklyn, NY
2 0 0 3
The Inc. (now closed), "In Stereo", Hamilton, ON, Canada
2 0 0 7
Article Projects, public art project in window, curated by David Gibson, Greenpoint, Brooklyn, NY
1 9 9 9
Sightings Gallery/ Collaboration, San Francisco, CA
1 9 9 6
Sightings Gallery/Collaboration, San Francisco, CA
EDUCATION
2019 PhD Critical Practice in Art, Not on the Plaza: Critical Strategies for Object based Public Art in New York, 168,000 words,
2 0 2 3 Arts and Culture Center / Hollywood, “Living in Oblivion”, curated by Meaghan Kent, new a.i. works and video, (Feb – May), Hollywood, FLChelsea College of Art, UAL, (supervised by Dr Malcolm Quinn, UAL and Joseph Heathcott, The New School, NY, NY),
London, UK
99/00 Whitney Museum of American Art Independent Study Program Studio Fellow, New York, NY
1996 MFA Studio Art Practice (Photography emphasis), Stanford University, Stanford, CA, USA
1994 BFA (Hons) Film, Video and Photographic Arts, (Photography emphasis), University of Westminster, London, UK
SELECTED GROUP EXHIBITIONS
2 0 2 3
NYU Deutsches Haus (New York University Deutsches Haus), Thingstaetten, group exhibition curated by Katharina Bosse,
New York, NY
Arts and Culture Center / Hollywood, “Living in Oblivion”, curated by Meaghan Kent, new a.i. works and video, (Feb – May), Hollywood, FL
2 0 2 2
Klompching Gallery, Curious Devices and Other Objects, curated by Debra Klomp Ching and Darren Ching, exhibition with Max de Esteban, Rebecca Hackemann and Jeanette May, Brooklyn, NY (Nov ‘21 - Feb’22)
Gormley Gallery, Notre Dame University, Parallax - Women’s Photography, curated by Liz Faust, Notre Dame, MA
Singapore International Photography Festival, Reviewer favorite, feature on SIPF website, Singapore
Klompching Gallery, Fresh 2021 Finalist, chosen by international jurors, Klompching Gallery, Brooklyn, NY
National Quilt Museum, Never Forget - Selected Quilts from the 911Memorial & Museum, group traveling exhibition, Padukah, KY
2 0 2 0
Spring Break NYC Art Fair, curated by Chris Bors, New York, NY
Gallery MC, Still Utopia: Islands, curated by Aga Ousseinov and Simonetta Moro, New York, NY
Kronos Art Festival, category: Video art, Sant Monica, Spain
Society for Photographic Education New Media Video Festival, single channel video, SPE 2020, Houston, TX
2 0 1 9
Museum Für Photographie, Reislust und Müßiggang, curated by Barbara Hofman Johnson, Braunschweig,Germany Circolo Ricreativo culturale 3 agosto, Still Utopia, curated by Simonetta Moro and Aga Ousseinov, Venice, Italy
Amos Eno Gallery, The Social Policing of Gender and the Criminalization of Queerness, curated by Lorenzo Triburgo, Brooklyn, NY
Circolo Ricreativo culturale 3 agosto, Still Utopia, curated by Simonetta Moro and Aga Ousseinov, Venice, Italy
KCAC, Current Works 2019, Kansas City, MO
Los Angeles Center for Digital Art, “Ten Artists to Watch” curated by Joel Ferree, Director, LACMA Art & Technology Lab and Joanna Szupinska-Myers, Senior Curator, California Museum of Photography, Los Angeles, CA
Lenculture Art Photography Award Finalist, curated by Yasufumi Nakamori, senior curator of Tate Modern and Xavier Canonne, curator of Musée de la Photographie, Paris
Light Year, 7 Attempts to Exhaust [the poetics of] a Place, curated by Simonetta Moro, Anchorage Place, Brooklyn Bridge Projections, Brooklyn, NY
Cain Art Gallery, Texas Photographic Society, curated by Catherine Couturiere, Houston, TX
Art Intersection, Light Sensitive, curated by Christopher James, Honorable Mention, Gilbert, AZ
Galerie Elsa, The Analog Moment, curated by Katharina Bosse, Bielefeld, Germany
2 0 1 8
Center Santa Fe, Conjured Futures, group exhibition projected in public space, curated by Center Santa Fe, part of Currents New Media Festival and Photo Summer, Santa Fe, NM
Los Angeles Center for Photography, member's exhibition, curated by Catherine Couturier, Los Angeles, CA
Biggin Gallery, Auburn University, Dis - Appearance, curated by Almut Haboeck, Auburn, AL
2 0 1 7
Foley Gallery, Digital versus Analog, New York, NY
Perspective Gallery, Depth Cue, curated by Christopher Schneberger, Chicago, IL
Smack Mellon, Benefit Auction and exhibition (Kentucky Derby!), Brooklyn, NY
Los Angeles Center for Digital Art, Electron Salon, Los Angeles, CA
Bemis Center for Art, curated exhibition and benefit, Omaha, NE
Center for Photographic Art, group exhibition, Carmel, CA
Lawndale Art Center (catalogue), Houston, TX, group exhibition curated by Toby Kamps, curator at The Menil Collection.
Center for Fine Art Photography, Black and White, curated by Ann M. Jastaab, Denver, CO
2 0 1 6
Rayko Gallery, Plastic Camera Exhibition, San Francisco, CA
Printed Matter, 3 artist books, New York, NY
Wilson Museum, Hollins University, group exhibition, Roanoke, VA
Midwest Center for Photography, 2016 Hot New Pix Group Exhibition, Wichita, KS
McNamee Gallery, St. Louis University, group exhibition, curated by Society for Photographic Education, St Louis, MO
Los Angeles Center for Digital Art, group exhibition, curated by Nancy Meyer, curator at Walker Art Center, Los Angeles, CA
2 0 1 5
Saatchi Gallery, Projection of stereo photograph, London, UK
Houston Center of Photography, group exhibition curated by Russel Lord, curator of NOMA, New Orleans Museum of Art, Houston, TX, USA
Bemis Center for Contemporary Art, curated exhibition and benefit, Omaha, NE
Low Gallery, “Size Matters”, part of Medium Festival for Photography, San Diego, CA
2 0 1 4
Baxter Street Gallery, (formerly CCNY), curated by Charlotte Cotton, New York, NY
Chelsea Salon, CONS project, Chelsea College of Art, London, UK
San Francisco Camera Work and Illuminate the Arts, projection of work on the East wall of 1019 Market Street, San Francisco, CA
Los Angeles Center for Digital Art, “ Electron Salon”, curated by Rex Bruce, Los Angeles, CA
SPE National Headquarters Exhibition Space, “Off the Web, On the Wall”, Cleveland, OH
Chapman Gallery, Kansas State University, 2 person exhibition with Shreepad Joglekar, Manhattan, KS
Society for Photographic Education, “The Archive of Unmade Photographs”, socially engaged photography project in collaboration in collaboration with artist Mark Strandquist, Baltimore, ML
2 0 1 3
Site 95 at Hillyer Art Space, “Urban Interactions”, curated by Meghan Kent, Washington, DC
Brooklyn Utopias / Old Stone House, "In Transition", curated by Katherine Gressel, Brooklyn, NY
Gathering Place, NLE Curatorial Lab Production,curated by Jessica Wallen, New York, NY
Los Angeles Center for Digital Art, "Snap to the Grid”, Los Angeles, CA
Gallery of Moments, “Now and Here and Everywhere”, participatory video collage, research project, Central St. Martin’s College of Art and Design, London, UK
LACDA, “Electron Salon”, curated by Rex Bruce, Los Angeles, CA
2 0 1 2
Brooklyn Historical Society, Old Stone House, Brooklyn Utopias, curated by Katherine Gressel, Brooklyn, NY
Rutgers, The State University of New Jersey, Paul Robeson Galleries; “Lift Off: Earthlings and the Great Beyond”, Newark, NJ (100 page catalogue)
2 0 1 1
Triangle Space, “Multiple Authors & Previous Owners”, curated by Chloé Hipeau, Wei Guo and Amanda de Pablo, CCW
(catalogue, essay by Neil Cummings), London, UK
Agency of Unrealized Projects (AUP) archive, an e-flux project in collaboration with the Serpentine Gallery, devised by Julieta Aranda,Hans Ulrich Obrist, Julia Peyton-Jones and Anton Vidokle, Basel, Switzerland
2 0 1 0
Hunter College Times Square Gallery, “Smoke + Mirrors / Shadow + Fog”, curated by Tracy L. Adler and Mara Hoberman,
(catalogue), New York, NY
PS122 Gallery, "Last Call", closing exhibition, curated by Susan Schreiber, New York, NY
UNI Museum, Object as Subject: Artists Explore the Museum Collection, curated by Scott Hudson, Cedar Falls, IA
Left Forum Conference 10, exhibition of political art projections, New York, NY
2 0 0 9
Visionary Sightseeing Binoculars, permanent site specific public art project funded by AAI as part of the Chinatown IN/Flux series,Philadelphia, PA ( installed for 3 yrs)
Left Forum, Conference, 09, New York, NY
Tunnel Space, F.I.T., “The Ghosts of Colleridge”, curated by F.I.T. MA graduate students in curatorial practice, catalogue,
essay by Cameron Shaw, New York, NY
2 0 0 8
301 Gallery, Montserrat College of Art, PEEK site specific window project, Beverly, MA
Two Site Specific Public Art Pieces, “Visionary Sightseeing Binoculars”, (3 months initial exhibition), Philadelphia, PA
2 0 0 7
Marcia Wood Gallery, “click/shift/enter”, group exhibition, catalogue, Atlanta, GA
Apex Art, "The Most Curatorial Biennial of the Universe", New York, NY
Novosibirsk State Art Museum, ‘Face to Face: Political Portraiture in American Art”, curated by Yulia Tikhonova,
5th Novosibirsk International Biennial, Novosibirsk, Siberia (Russia)
Christies, Sweetarts auction, Christies, New York, NY
Copy Gallery, “Here and Now”, Philadelphia, PA
Seed Project, artist collective environmental project, Winkleman Gallery, New York, NY
2 0 0 6
Gigantic Artspace, “The Golden Hour”, curated by Erin Donnelly and Susanna Cole, New York, NY
Felicity R. Bonoliel Gallery, CFEVA, “From the Studio III, curated by Lia Gangitano, Participant Inc. Gallery, New York, Philadelphia, PA
Rider Project, mobile art shown in collaboration, “cell2cell2CELL”, various locations in New York and Brooklyn, NY
PS 122, “InterState”, group exhibition, New York, NY
Artist Space, “Night of 1000 Drawings”, open exhibition, New York, NY
The Foundry, draw_ing_2, uncurated by Giacomo Picca, London Biennale 2006, London, UK
Casoria International Museum of Contemporary Art, “self portrait – a show for Bethlehem”, curated by Wilfried Agricola de Cologne, Naples, Italy
Synthetic Zero Space, curated by Mitsu Hadeishi, sponsored by Bronx Council on the Arts, Bronx and New York, NY
2 0 0 5
Makor/Steinhardt Center, Real Art Today, exhibition in conjunction with artists’ talks, curated by David Gibson, New York, NY
AAF Art Fair, blasthaus (of SF, CA) booth, New York, NY
Seed Project, Artworld Digest Magazine, New York, NY
“Explosivo Art Show”, Stay Gold Gallery, curated by Tracy Candido, Brooklyn, NY
Photo sf art fair, blasthaus, booth 34, San Francisco, CA
Headlands Center for the Arts, open studios as part of 3 month residency, 4/24/05, CA
Aratoi Museum in Masterton, postcard exhibition organized by Nicolas Dumit Estevez, Masterton, New Zealand
Spike Gallery, curated one day exhibition for benefit, New York, NY
Nurture Art Gallery, “Paper, Papel, Papier”, Williamsburg, Brooklyn, NY
2 0 0 4
“Arrival: Intimate Spectacles”, curated by Heng-Gil Han, Flushing Town Hall, a Smithsonian Institution, Queens, NY
Timeless/Timeliness, curated by Dominique Nahas, catalogue available, Aljira Emerge 2003, Newark, NJ
London Biennale 2004, Draw_drawing, Gallery 32, curated by Giacomo Picca, London, UK
Los Angeles Center for Digital Art, “Snap to Grid”, Los Angeles, CA
Picture House Center of Photography, Leicester, UK
2 0 0 3
Lower Manhattan Cultural Council (LMCC), group exhibition, New York, NY
Fishtank Gallery, group show, Brooklyn, NY
Yaddo residency, one month (April) Saratoga Springs, NY
Nurture Art, group exhibition "2 FRESH" , Williamsburgh / Brooklyn, NY
16 Beaver Group, "Operation Now, Wow and How", curated by Marc Lepson, private space, New York, NY
Anti - War Poster Show, Drinkink Collective, Macy Gallery, Columbia University, New York, NY
2 0 0 2
Art*O*Mat -- 'don't go round artless' vending machines, various locations including the Whitney Museum of American Art and The New Museum Bookshop, New York, NY
Printed Matter, "The Ideal Sight Restorer" and "The Autopsy of an Historian", New York, NY
Sotheby's New Collectors, "Moments of Clarity: A Midsummer Night's Interlude", Sotheby's, NYC, NY
Light Work residency, one month, Syracuse, NY
Autoritatto, artists portray themselves, curated by Stafano Parquini, Bolognia, Italy
The European Biennial of Contemporary Art, 'Free Manifesta', Frankfurt, Germany
Exit Art, "Reactions", reactions to 9/11, New York, NY
Nurture Art, 'Fresh' box, benefit, New York, NY
Hallwalls, Buffalo, NY
2 0 0 1
Whitney Museum of American Art Independent Study Program fellow and exhibition, 1 year studio and weekly seminars in New York, NY
New Arts Program, Kutztown, PA
Open Space Gallery, "Fractured Family", Allentown, PA
2 0 0 0
Photo Metro Magazine, Honorable mention, editor: Bill Hunt/Halsted Hunt Gallery, New York, NY
New Jersey Center for Visual Arts, curator: Dan Cameron/New Museum of Contemporary Art, NYC, Summit, NJ
1 9 9 9
Clement Gallery, "Dinner with Dali", Toledo, OH
Fraser Gallery, "Homage to Dali", Washington, DC
Open Space Gallery, "Awkwardology", Allentown, PA
1 9 9 8
Hallwalls, "Books and Boxes" Buffalo, NY
Highland Cultural Center, curated by Paul Kasmin Gallery, Highland, NY
Works Gallery, "Evoking the Unexpected", San José, CA
Sightings Gallery, "Small Works - Big Ideas", San Francisco, CA
1 9 9 6
Four Walls Gallery, San Francisco, CA
Photo Metro Gallery, group exhibition for magazine, San Francisco, CA
Stanford University Museum of Art, MFA Exhibition, Stanford, CA
Central Arts Collective, "Merged Realities", Tucson, AZ
Printed Matter, "Scaled Down - a Handbook for Fishes about Humans", New York, NY
1 9 9 5
Photo Metro Gallery, group exhibition, San Francisco, CA
City of Brae Gallery, "Carte Blanche", Los Angeles, CA
Woman Made Gallery, "Women and Surrealism", Chicago, IL
AWARDS / RESIDENCIES
2 0 2 2
Office of the President Faculty Development Grant, Kansas State University for travel to Germany, Kansas State University
2 0 2 1
Fondation Valparaiso, Almeria, Spain (Postponed due to sars- covid19 pandemic)
2 0 1 8
Banff Center for Creativity, artist residency, Banff, Canada
2 0 1 7
United States Artists Fellowship Nominee, Chicago, IL
2 0 1 4
PhD fund for research travel, Chelsea College of Art, UAL, London, UK
Office of the President Faculty Development Travel Grant for travel to China, Kansas State University, KS
2 0 1 3
New York Foundation for the Arts, fiscal sponsorship program for “Visionary Sightseeing Binoculars in New York”, Brooklyn, NY
Faculty Development Grant, interim funding,Office of the President, Kansas State University, KS
Research Funding from Department of Art, Kansas State University, KS
2 0 1 2
PhD fund for research travel, Chelsea College of Art, UAL, London, UK
Faculty Travel Grant (travel to The Netherlands), Minnesota State University
2 0 1 1
Lower Manhattan Cultural Council, grant for public art project in New York’s Chinatown, New York, NY
New York City Department of Transportation, Artpartners grant (partner: NYFA), New York, NY
Faculty Travel Grant, Minnesota State University, MN
2 0 1 0
New York Foundation for the Arts, fiscal sponsorship program for “Visionary Sightseeing Binoculars in New York”, Brooklyn, NY
Faculty Research grant, Wartburg College, IA
2 0 0 8 – 09
Asian Arts Initiative, grant to create public art project, Chinatown IN/Flux series, Philadelphia, PA
Various internal grants to above exhibitions, Wartburg College, Waverly, IA
2 0 0 5
Headlands Center for the Arts, three month residency with stipend, Marin Headlands, CA
Fondation Valparaiso, one month residency, Almeria Playa, SPAIN (postponed)
2 0 0 3
Yaddo, 2 month residency, Saratoga Springs, NY
2 0 0 2
Light Work, one month residency, stipend, publication in "Contact Sheet" June 2003, Syracuse, NY
Aljira Emerge 2003 Fellowship, Professional Development Program, Newark, NJ
2 0 0 0 – 0 1
Whitney Museum of American Art, ISP (Independent Study Program), Studio Fellow, studio space for one year in Manhattan, seminars, exhibition, New York, NY
1 9 9 7
Women's Studio Workshop, Artists' Residency, Rochester, NY
1 9 9 4
University of Westminster, funding for thesis research on "Diableries" stereo cards from Paris 1860's, London, England
SCHOLARLY PRESENTATIONS / VISITING ARTIST LECTURES
2 0 2 3
Society for Photographic Education, International conference, Panel Chair, Photography and the Metaverse(s), Web 3.0, NFT's, Public Space in VR for Artists: A Critical View and Making sense of It, panelists Perry Hoberman and Patrick Lichty, Denver, CO
2 0 2 2
SECAC (formerly the Southeastern College Art Conference), held at MICA, presentation of paper: Recent Artistic and Research based Interventions into Overgrown Nazi Ruins — The Thingstätte, Session Theme: Art History : Reimagining Monuments: Challenging Systemic Racism through Public Art & Design, chaired by Dr.Jason Brown, MICA, Baltimore
NSA, National Stereoscopic Association, Sessions on the History of Stereoscopic Photography: Virtual Public Space Contested - Will the plaza survive in VR?, Tacoma, WA
2 0 2 0
Society for Photographic Education International Conference, 1 hr Lecture: Ditching the Lens: Cameraless Photography, Lecture, Houston, TX
National Stereoscopic Association of American, paper, peer reviewed by Dr. Melody Davis, Virtual Worldwide
2 0 1 9
Chair of Panel, The Fear of Public Art, Panelists: Trey Hock and Jason Zeh, The Art of Democracy Conference, Kansas State University, Manhattan KS
2 0 1 8
fotofocus Cincinnati, Panel discussion on social practice and photography, curated by Calcagno Cullen, with Mark Strandquist, Cincinnati, OH
Interviewee for Yale University Radio WYBCx, 1 hour, conducted by Brainard Carey, New Haven, CT
L’Association d’Art des Universités du Canada, paper, The Double Lensed Camera Eye - Stereoscopic Space as Conceptual tool?, Canada
2 0 1 7
The Arts in Society Paris Conference, The Arts in Society Research Network, paper / artwork:
“Public Engagement on Pavements: The Public Utteraton Machines in New York”, Sorbonne University Paris, France
Society of Photographic Education West Conference, Tahoe CoLab Panel Discussant, Between Art and the Practicalities of Media Education, Tahoe City, CA
2 0 1 6
College Art Association New Media Caucus, Presentation of Research at Corcoran Museum of Art, Washington, D.C.
SECAC Conference, Chair of the session: Vision Machines and Pre-Cinematic Optical Devices: Panoramas, Stereoscopes
and Places of Otherness. Co Chaired with Dr. Simonetta Moro, IDSVA, Roanoke, VA
43rd National Stereoscopic Association Convention, Presentation of 3-D Slideshow on Silver Screen, Stereo Theatre, Tulsa, OK
2 0 1 5
Universities Art Association of Canada, presentation at the session entitled: Collaborations and Co-creations as Cultural Practice of a paper entitled: The Public Utteraton Machines in Brooklyn and Queens, New York - Reimagining the Socially Engaged Agora Through International Collaboration and an Unfinished Solar Powered Art Work, Chaired by Dr.Barbara Lounder and Dr. Robert Bean, NSCAD (Nova Scotia College of Art and Design), Halifax, Canada
2 0 1 4
Psi - 20, Performance Studies International, Presentation of Academic Paper entitled Photography as Agency and Commodity
in Socially Engaged and Performative Practices, from Gordon Matta-Clark to Peng Yu and Sun Yuan, (http://www.psi-web.org/), Shanghai, China
Society for Photographic Education, Presentation of Paper as 3-D Lecture, entitled No More Gimmicks: The Double Lensed Camera Eye—Stereoscopic Space and Fictionality as Conceptual Tool? Baltimore, ML,
University of Delaware, Department of Art Lecture Series, visiting artist for 3 days to MFA program, DL
2 0 1 3
L’Association d’Art des Universités du Canada, presentation of paper, Banff Center, Banff, Canada
Society for Literature, Science and the Arts, Conference 2013 “Postnatural”, presentation of artwork and paper entitled Photomontage / Assemblage
and Text: The Signification of Fictionality and Fragmentation in Photography, University of Notre Dame, Notre Dame, USA
University of the Arts London, Research Network UAL (RNUAL), presentation of 3 year progress in research, London, UK
2 0 1 2
College Art Association, International Annual Conference, presentation of paper, Arts Based Research as a Glass Box: Has it been Practiced all Along? as part of the CAA double session PhD’s for Artists - Sense or Non-Sense?, chaired by Bruce Barber and John Powers,
Los Angeles Convention Center, Los Angeles, CA
2 0 1 1
University of the Arts London, Practice Exchange Research Network, presentation of research and practice, London, UK
Symposium for “Multiple Authors & Previous Owners”, Triangle Space, UAL, London, UK
2 0 0 9
Montserrat College of Art, Artist Lecture in conjunction with exhibition at 301 Space, Beverly, MA
Iowa Arts Council Public Art Conference, short presentation of Visionary Sightseeing Binoculars, Des Moines, IA
Wartburg Philosophical Society, Waverly, IA
2 0 0 7
Museum of Natural History, Kaufmann auditorium, Left Brain/Right Brain, stereo projections, NY Stereoscopic Society, New York, NY
2 0 0 5
Makor/Steinhardt Center, “Real Art Today” series, organized by David Gibson, New York, NY
Headlands Center for the Arts, invitational presentation, Sausalito, CA
2 0 0 4
Pratt Institute, digital photography, visiting artist lecture, Brooklyn, NY
Flushing Town Hall, in conjunction with “Arrival – Intimate Spectacles” exhibition, panel discussion with Heng-Gil Han, Queens, NY
2 0 0 3
Light Work public lecture, Syracuse University, Syracuse, NY
The Inc, group exhibition, Hamilton, ON
2 0 0 2
Parsons School of Art and Design, Art Department, senior class, guest artist speaker, New York, NY
Parsons School of Art and Design, Art Department, senior class, guest artist speaker, New York, NY
2 0 0 1
Whitney Museum of American Art ISP, slide presentation, New York, NY
1 9 9 6
Stanford University, multiple slide presentations to undergraduate and graduate students and the public, Stanford, CA
PEER REVIEWED JOURNALS / SELECTED CATALOGUES / BOOKS / PAPERS
(authored by Hackemann, or featuring Hackemann’s work prominently)
See also Publications
-Peer reviewed scholarly Book authored by Hackemann “3-D Experimental VR and Art Practices – untangling another dimension”, published by Intellect Books, distributed by University of Chicago Press: https://press.uchicago.edu/ucp/books/author/H/R/au196844001.html
-Catalogue, Klompching Gallery, Fresh 2021 Finalists, Brooklyn, NY
-Catalogue, Spirngfield Art Museum, ISBN, Springfield, MO
- Thingstaetten, The Relevance of the Past for the Present, New English edition, new edit, edited by Katharina Bosse, reviewed by The New Yorker, Distributed by DAP, Greymüller Verlag, 2022
-Thingstaetten, Second Edition in English, Hardcover book, 5 pages, edited by Katharina Bosse, Geymuller Verlag, Germany, 2022
- Thingstaetten, Hardcover book in German, 5 pages, edited by Katharina Bosse, Kerber Verlag, Germany, 2020
- Analog Forever Magazine, image of "The Silver Nitrate Thumb", Theme: "The Private Document" edited by Ann Jastrab
- Leonardo Music Journal, paper authored by Hackemann, 4 images and 2000 words; The MIT Press
- fofofocus 2019 Biennale Catalogue/book, double page spread, color
-Catalog, 10+ pages, cover, full CV, Springfield Art Museum. MO
- Wave Pool Gallery catalogue, 2019
- JAWS, intellect journals, About not Separating Art and Writing: The Unfinished Public Art Work that Studies Finished Public Art Work in New York, peer reviewed paper
authored by Rebecca Hackemann,+ cover photograph of Hackemans art work (5000 words, ISBN), 2015
- e-flux Art&Education Papers*, Stuck Between Disciplines: Notes on Public Art Discourse in New York, 2012, peer reviewed paper (8000 words), 2012, authored by Rebecca Hackemann
- Public 47*, 15 photographs and 1 page artist statement, and cover photograph (ISBN), Spring 2013 (47 3-D Cinema and Beyond), peer reviewed journal, Canada, worldwide distribution;
(http://www.publicjournal.ca/47-3d-cinema-and-beyond/)
- Rutgers University*, Paul Robeson Galleries, exhibition catalogue/book (3 photographs by Rebecca Hackemann), essays, for the exhibition
Lift Off: Earthlings and the Great Beyond (ISBN), catalog, Rutgers University, Newark, NJ, 2011/12
- Institute for Urban Design, book, By the City/For the City, (ed. Anne Guiney and Brendan Crain), 2011, (ISBN: 978-0-9820861-1-7) Multi-Story Books, funded by Rockefeller Foundation, New York, NY
- Hunter College Times Square Gallery, Smoke + Mirrors, Shadow +Fog, (ed 1000. ISBN), Hunter College, New York, NY
- F.I.T., The Ghosts of Coleridge, catalogue to accompany exhibition, essay by Cameron Shaw, F.I.T., 2009, New York, NY
- PageOne/Loft Publications Spain, Unique Window Display Handbook, 2009 (ISBN978-981-245-773-8), 4 double page spreads of “PEEK!”,
curated by Real Form Projects, Barcelona, Spain
- Marcia Wood Gallery, catalogue to accompany exhibition click/shift/enter exhibition, images by Rebecca Hackemann, Atlanta, GA, 2007
- Aljira Center for Contemporary Art*, Emerge 2003, catalogue to accompany exhibition, essay by Dominique Nahas, NJ
- Light Work*, Contact Sheet, catalogue with 5 pages of images with text about Hackemanns work by Christopher Ho, as part of one month residency, 2003,
(ISBN: 0-935445-32-3), Syracuse, NY
NEWSPAPER AND MAGAZINE ARTICLES , TV, Radio AND REVIEWS
(about Hackemann’s work, authored by writers listed)
- New York Times, mention and quote: Aaron Rose, Photographer, whose work long went unseen dies at 84, New York, NY
-Musee Magazine, paragraph on Hackemann artwork exhibited in Klompching Gallery (press for exhibition)
-Dhodo Magazine feature, large image, banner, online magazine (press for exhibition)
-Photography Magazine New York, Featured in newsletter and instagram acct., New York, NY (press for exhibition)
- Westfalen Blatt, nr 102, long article on Hackemann’s professional life history and work, exhibition at Elsa Artspace, Bielefeld, Germany New York Times, mention and quote: Aaron Rose, Photogrpaher, whose work long went unseen dies at 84, New York, NY
- German Broadcast TV: Westdeutscher Rundfunk – WDR – German TV spot about the project Thingstaette im Fernglas (starts at mdiway mark): https://www.youtube.com/watch?v=G_i-VIVqGMs
- Review, PIB, Photography in Berlin, Review of True Pictures US survey exhibition, prominent visuals of one of Hackemann’s images, online, 2019/20
- Braunschweiger Spiegl, local newspaper in the city of Braunschweig, listing of US Survey exhibition True Pictures, online and print, 2020
- Listing and review in photograph magazine, USA, Klompching exhibition, this is one of the most highly regarded photography publications listing exhibitions in New York and beyond, images and Press release, online, 2021
- Conscientious Photography Magazine, mention in long post about Thingstätten Book (press for book)
- Listing and review in photograph magazine, USA, this is one of the most highly regarded photography publications listing exhibitions in New York and beyond, images and Press release, Klomching, online
- Musée, Vanguart of Photography and Culture, magazine, print and online, listing and review of Klompching Gallery exhibition, 2022
- Review, Photo.com. prominent listing of photography exhibitions in the USA, Klompching Gallery Curious Objects and other Devices exhibition, 2022, online
- Review and listing, Artfixdaily.com, online magazine, review of Fresh 2021 exhibition at Klompching Gallery, 2021
- Photonews, Primary German photography newspaper/magazine bound broadsheet. listing of exhibition, Ture Pictures? A survey of contemporary Canadian and and US photographers, Sept, Oct, Nov, Dec 2020, edition, Germany
-Fondazionerinascita, listing of Still Utopia Exhibition, Venice, Italy
- Venezia Today, newspaper, listing of Still Utopia exhibition (see documentation)
- Deutsche Gesellschaft für Photographie, listing of Reiselust und Müsiggang exhibition at Museum für Photogrpahie, Braunschweig, July, 2019
- NY Artbeat, online, Review of Criminalize This exhibition, 2019
-City of Lawrence Website, listing of Juror: Rebecca Hackemann on website, 2019
- Singapore Photo Festival, Reviewer Favorite, top 10 Artists, listing on website, 2020, https://sipf.sg/the-archive-of-unmade-photographs/
- Review: A-photoeditor Blog by Johnathan Blaustein (JB used to write the NY Times Photo blog before it shut down), Best images from Filter Photo Festival, Oct, 2018
- Newspaper Article: Waverly Newspapers, 5.2.22, Etched in Time: Green Bridge Memorialized through public art, celebrated with ceremony at South River Park. https://www.communitynewspapergroup.com/waverly_newspapers/etched-in-time-green-bridge-memorialized-with-public-art-celebrated-with-ceremony-at-south-riverside/article_c35b7b48-725f-55e0-8ee1-5139c93ecf6b.html
-Newspaper Article: The Courier, New Landmarks Unveiled, old tales shared in memory of Waverly’s Green Bridge, May 14, 2022.
- Newspaper article: The Courier: Waverly’s Green Bridge to be remembered with bronze plaque, signage and art display, 10.28.21
-Newspaper Article: The de Witt Observer, Art, signs to be unveiled in remembrance […], 5.9.22
-Broadcast television, KWWL, 5.14.22-Conscientious Photography Magazine, mention in long post about Thingstätten Book (press for book)
-Westdeutscher Rundfunk – WDR – German TV spot about my project Thingstaette im Fernglas (starts at mdiway mark):
https://www.youtube.com/watch?v=G_i-VIVqGMs
- Frankfurter Allgemeine Zeitung, article on thingstaette project, curated by Jatharina Bosse, June 2020:
- Braunschweiger Spiegl, local newspaper in the city of Braubschweig, listing of US Survey exhibition, online and print, 2020
- Listing and review in photograph magazine, USA, this is one of the most highly regarded photography publications listing exhibitions in New York and beyond, images and Press release, online
- Review, Musée, Vanguart of Photography and Culture, magazine, print and online, listing and review of Klompching
Gallery exhibition, 2022
- Review, Photo.com. prominent listing of photography exhibitions in the USA, Klompching Gallery Curious Objects
and other Devices exhibition, 2022, online
- Review and listing, Artfixdaily.com, online magazine, review of Fresh 2021 exhibition at Klompching Gallery, 2021
- Photonews, Primary German photography newspaper/magazine bound broadsheet. listing of exhibition, True Pictures? A survey of contemporary Canadian and and US photographers (other artists include Carrie Me Weems and Cindy Sherman, Nan Goldin and Jeff Wall), , Sept, Oct, Nov, Dec 2020, edition, Germany
- Photonews, Review of True Pictures exhibition which took place at three museums as a collective survey (dec 2020
edition)
- Deutsche Gesellschaft für Photographie, listing of Reiselust und Müsiggang exhibition at Museum für Photogrpahie,
Braunschweig, July, 2019
- NY Artbeat, online, Review of Criminalize This exhibition, 2019
- City of Lawrence Website, listing of Juror: Rebecca Hackemann on website, 2019
- Singapore Photo Festival, Reviewer Favorite, top 10 Artists, listing on website, 2020,
https://sipf.sg/the-archive-of-unmade-photographs/
- Review: A-photoeditor Blog by Johnathan Blaustein (JB used to write the NY Times Photo blog before it shut down),
Best images from Filter Photo Festival, Oct, 2018
- Newspaper Article: Waverly Newspapers, 5.2.22, Etched in Time: Green Bridge Memorialized through public art,
celebrated with ceremony at South River Park.
- Newspaper Article: The Courier, New Landmarks Unveiled, old tales shared in memory of Waverly’s Green Bridge,
May 14, 2022.
- Newspaper article: The Courier: Waverly’s Green Bridge to be remembered with bronze plaque, signage and art
display, 10.28.21
- Newspaper Article: The de Witt Observer, Art, signs to be unveiled in remembrance […], 5.9.22
- Broadcast television, KWWL, 5.14.22
- Frankfurter Allgemeine Zeitung, article on thingstaette project, curated by Jatharina Bosse, June 2020:
- Photonews, article about analog photography, by Katharina Bosse, Germany (April 2019)
- Queens Newswire, Broadwayworld, “The Public Utteraton Machine Comes to Public Plazas in Queens, Brooklyn”,
by BWW newsdesk.
Art and Education Papers Announcement for SECAC chair of session, IDSVA, 2016
- “From Absorb to Zoom: The Virtual Archive: Rebecca Hackemann” author: Anne Krinsky, by invitation
- Architecturelab.net : “Street Art: The Public Utteraton Machines New York”, brief description and video on website,
author: unknown, not listed,
Web: http://architecturelab.net/street-art-the-public-utteraton-machines-new-york/
- inhabitat New York City: “Curious Solar powered Utteraton Machine pops up in NYC”; by Yuka Yoneda, slide
gallery and article,
- University of Westminster Website Feature for Alumni
- DNA Info, local NYC news outlet: “Antique LIC payphone will record your thoughts on public art”, author Jeanmarie
Evelly.
- The Manhattan Users Guide, 9/29/11, short description of Urban Field Glass Project with photo, New York, NY
- Dumbo Is, 2011, short article, “A Set of Peculiar Binoculars Pops Up”, by Alexandria Sica, Brooklyn, NY
- FirstPost, 2011 video on website headline (http://www.firstpost.com/topic/place/dumbo-brooklyn-the-urban-field-glass-project-video-QLDHyZaj4qA-88506-1.html), online
- The Tribeca Citizen, 9/29/11, short description of Urban Field Glass Project with photo, “IN the News: Field Glass Art”, New York
- The Brownstoner, 9/20/2011, short description of Urban Field Glas project with photo, ‘Signs of the Dumbo Art Festival”, Brooklyn, NY (http://www.brownstoner.com/blog/2011/09/signs-of-the-dumbo-arts-festival/)
- Stanford Magazine, Jan. 2009 issue, feature article on Visionary Binoculars public art project in Philadelphia, PA
- City Paper, April 2009, Feature article on InFlux project, written by Ptah Gabrie, Philadelphia, PA
http://citypaper.net/articles/2009/04/16/chinatown-influx-future-landscapes
- Waverly Democrat, 3/17/09, “Adventures in Perception”, 2009
- KWAR, Radio Interview, 7pm Knightwire, 3/15/09, 2009
- San Francisco Chronicle,"Artist at work - Creating art outside the box - No limits: Headlands Center for the Arts pushes boundaries", Friday, April 22nd, 2005, by Ulysses Torassa, Chronicle Staff Writer
http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/2005/04/22/NBGRSC9B0C1.DTL&type=printable
- Artworld Digest, Seed Project, 2006/7, New York, NY (www.artworlddigest.com)
- The New York Times, Aljira exhibition, "Young and Provocative, Time is on their side", September 12th, 2004, by Benjamin Genocchio
- Stereo World, “Rebecca Hackemann Reinvents Stereo Photographic Art Form”, 4 page article and back cover, Jan/Feb 2006
- Cambridge Eye, Cambridge School of Arts Alumni paper, active alumni portrait, 2006
- 3rd floor Magazine, issue 3, August, 2005, portfolio image
- The Sunday Star Ledger. "Aljira Emerge 2003 presents amazing examples of technique". August 15th 2004, by Dan Bischoff
- "Sight Unseem - at Fishtank Gallery in Brooklyn", March, 2004, by Sara Klar
- http://www.birds-eye.net/article_archive/broadband_hdtv_video_art.htm
- Crain's New York Business, "Arts Group Shows Promise", Sept/Oct, 2003, by Emily deNitto
- WWD, "Art in Brooklyn", November 20th, 2003
- Contact Sheet, Essay on photographs by Rebecca Hackemann, published by Light Work Annual, 2003 by Christopher K. Ho (accompanied by 6 pages of 9 images)
- NY Arts, “Choice and Consultation at The HOTEL DE LA MOLE: an alt-biannial”, 2002, by Horace Brockington
- Gusto, Art, “The Art of the Game”, Jan 18th, 2002, by Richard Huntington
- Photo Metro Magazine, Photo contest winners, 2 images, juried by Bill Hunt, 2001
- Field Study, “We Multiply! – a field study Publication”, catalogue, 2002, Australia
- The Morning Call, “Artists interpret Fractual Families”, March 25th, 2001, by Tony Sienzant
- The Morning Call, “Open Space’s ‘Awkwardology’ humorous and uncomfortable”, 1998, by Geoff Gehmann
- Umbrella, “Artists’ Books at Printed Matter”, review of the book Scaled Down, vol. 20, no 1., January 1997
- Photo Metro Magazine, 17th Annual Photo Contest, juror: Bill Hunt/Hasted/Hunt Gallery, Honorable Mention and publication, San Francisco, CA
- The Washington Times, “Notable and New”, announcement/review listing, "Salvador Dali: a modern homage to a modern icon", Fraser Gallery1999
- The Mind’s Eye, 10 pages of images, vol.4 no. 2, 1996
- The Buffalo News, “At Hallwalls, the world in an untidy set of boxes”, Feb 13th, 1997, by Richard Huntington
- The Stanford Daily, announcement and image, review, by Wendy Lee, June, 1996
- The Palo Alto Weekly, announcement, image and article, (writer’s name lost as well as date), 1996
- The Arizona Daily Star, “Merged Realities”, 1996, by Danielle C. Malka
- The Mind’s Eye – a Stanford Journal of Expression, Stanford, CA, 10 pages of images, 1996
ART COLLECTIONS
MOMA book collection, New York, NY
Museé Français de la Photographie, Bievres, France
Fondation Suisse pour la Photographie, Zürich, Switzerland
Staatliche Museen zu Berlin, Kunstbibliothek, Berlin, Germany
911 Memorial and Museum, New York, NY
Museum für Moderne Kunst, Frankfurt, Germany
Museum für Photographie, Braunschweig, Germany
Special Collections, Green Library, Stanford University, Stanford, CA
HUB Gallery, “We Multiply” artists book collection, curated by David Dellafiora, Greelong, Australia
Sightings Gallery/Richard Schoepke, San Francisco, CA
The Pinhole Resource,
Printed Matter, New York, NY
Light Work, Syracuse, NY
The Corporation of Yaddo, Saratoga Springs, NY
Julian Yates
The Springfield Art Museum et. al.
CURATED SLIDE REGISTRIES
The Drawing Center, “Viewing Program – Artist Registry”, New York, NY
Philadelphia Percent for Art Website, Philadelphia, PA
ArtStor, academic database, New York, NY
JUROR / PEER REVIEWER
Juror for National Stereoscopic Society Exhibition 3-dCon, 2021
Juror for Lawrence Public Art Series, Lawrence, KS (2019)
Reviewer for Apex Art, New York, NY (2017 - pr .)
Peer Reviewer for Intellect Journals, London, UK, (2017 - present)
Juror for Society for Photographic Education Speakers (2015)
Chair of PHDVA: https://rhackemann1.wixsite.com/advatest
Juror for DAAP exhibition, KSU (2014)
Academic Appointments
1994-1996
Stanford University, Graduate Teaching Assistant, Stanford, CA
1996
Stanford University, Lecturer, taught undergraduate introductory class,Stanford, CA
2008-2010
Wartburg College, Assistant Professor of Art, in the middle of nowhere, IA
2012 - 2013
Minnesota State University, Visiting Assistant Professor, MN
2013 - 2018
Assistant Professor of Photography, Kansas State University, KS
2019 - pr
Associate Professor of Photography, Kansas State University, KS
OTHER WORK
Part time archivist and artist / photographer’s assistant and studio manager in New York City for many years as a freelancer and or for 2-3 days a week.
Artists I worked for are
Andres Serrano
Christian Witkin
Adam Fuss
Aaron Rose †
and The honorable Nathanial Rothschild.